Bach Bourree for Guitar: Full Video Lesson
This full lesson video tackles a J.S. Bach Bouree, from the 4th Suite for Solo Cello (BWV 1010). It was originally written in E flat Major. Luckily, we kick it up to the key of A so it plays more nicely on the guitar.
It’s perhaps surprising how well most of the Bach music for unaccompanied strings fit on the classical guitar. The cello suites, and the violin sonatas and partitas are all just beautiful on the guitar. Some lay easier than others, but they all sound good. This Bourrée is a popular piece for intermediate classical guitarists, and is a wonderful study in balance and creating beautiful lines in the melody.
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Serving Multiple Masters: The Challenge of This Piece
One of the main challenges you face in this Bach Bourrée is to make sure that the upper line and the bass line are clearly separate in the ear of your listener. To do this, you must first know exactly which notes belong to each part, then connect the notes together in each part. This can be a bit tricky, but by practicing the upper melody and lower bass line separately, you can learn to hear the individual lines, and to phrase each line with intention and good musicality. After you have both lines perfected, you can then put them back together and work out the issues that arise from the pairing.
Conflicting desires….
Sometimes, the two lines want to go in different directions with their dynamics (volume, swells and fades). When this happens, there is nothing to do but buckle down and put in the practice to be able to balance the parts. This sort of work can be difficult and challenging, but ultimately is the work that will develop your technique, develop your “musical ear”, and bring you forward as a player.
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Also mentioned in this guitar lesson are a couple of other tutorials:
How to learn any piece, in 7 easy steps
The Five Major Scale Shapes on classical guitar
To view, download, and print the pdf sheet music and video slides for this lesson, click below.
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
These warm-up and stretching exercises are helping me a lot! Because I’m a software developer I have to stay 8 hours typing on a computer keyboard, so I use my hands a lot during the day. At night, when I have some time to practice the guitar my hands and arms are usually in pain because they have been working a lot during the day, but I’ve found that doing the warm-up/stretching exercises in The Woodshed releases me from this pain and I’m then able to practice after doing them.
You are building a very interesting and working guitar course, because for what I’ve seen so far it really works!
~ Ulysses Alexandre Alves
-Ulysses Alexandre Alves
I just want to thank you for your lessons. You are helping us to understand how a piece is composed, the parts to analyze and how to do it. You are teaching a lot about how to read and play, and the most important part: PLAY with the music and ENJOY it.
~ R. Martinez
-R. Martinez
- Move your hands safely and fluidly
- Enjoy fulfilling practices and meaningful work
- Play beautifully with expression and flow
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