The Chromatic Scale on Classical Guitar (What and Why)
What do you get when you go through all the other scales in a pile on the floor?
What do you get when you include everyone, and leave no one out?
And what do you get when you take every step?
Chromaticism: A Fancy Name for Simple Concept
The chromatic scale includes all the notes. If we play up each fret of a string, we’ve played a chromatic scale.
It’s from the chromatic scale that all other scales in western music emerge. We choose what to omit, and that creates new scales.
In layman’s terms, a chromatic scale is all the notes.
Officially, the chromatic scale is a twelve-tone scale starting on a root note and moving by half-steps only. In layman’s terms, this means all the notes.
How to Play a Chromatic Scale
Like any other scale, we can play chromatic scales in different ways on the guitar.
We can play in one position (using 5 frets).
A chromatic scale in the open position, using all the notes.
And we can play up one string, playing each fret in turn.
A chromatic scale up one string – great for shifting practice.
Or, we could play in some combination of these two.
How to Notate Chromatic Scales
Chromatic scales use sharp notes and flat notes (accidentals) to cover all the notes. (With only eight letter-names, and twelve tones, some notes do double-duty.)
“Accidentals” are sharp, flat, and natural symbols not in the key of the piece. They’re notated in-line on the sheet music, instead of at the beginning of each line.
A high concentration of sharps and flats may signal a chromatic scale.
When we see a cluster of accidentals, we can guess that there’s a chromatic scale at work.
On tablature (TABs), we’ll see consecutive numbers, such as 2345.
How Chromatic Scales are Used in Music
More times than not, chromaticism uses snippets of the chromatic scale. While we do sometimes find examples of entire twelve-note scales, we more often see a few chromatic notes that move through adjacent frets.
Chromatic scales can emphasize an arrival point. Approaching a musical arrival point by moving step by step “pulls” the ear toward that note.
Chromatic notes can also give the music a certain style, such as blues, tango, or Brazilian choro. Different styles of music often use chromaticism in characteristic ways. This is one of the elements that create recognizable styles of music.
What to Do with the Chromatic Scale
We can practice the chromatic scale as a technical exercise all over the guitar neck. From the low e string to the high e string.
Because it’s easy to remember, we can focus our attention on other aspects of technique. We can use chromatic scales to practice shifting, speed, tone quality, or anything else we can think of.
We can also recognize when the chromatic scale crops up in our music. This can help us memorize the music.
Other than that, chromatic scales are just a fun way to move the fingers!
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
These warm-up and stretching exercises are helping me a lot! Because I’m a software developer I have to stay 8 hours typing on a computer keyboard, so I use my hands a lot during the day. At night, when I have some time to practice the guitar my hands and arms are usually in pain because they have been working a lot during the day, but I’ve found that doing the warm-up/stretching exercises in The Woodshed releases me from this pain and I’m then able to practice after doing them.
You are building a very interesting and working guitar course, because for what I’ve seen so far it really works!
~ Ulysses Alexandre Alves
-Ulysses Alexandre Alves
Hi Allen, I am a Dutch guy who plays classical guitar (solo and together with a flute player). Unfortunately I have been suffering from focal dystonia since begin 2016. Of course I tried physical therapy which didn't help… But I tried some of your [technique] lessons (I had teachers before but I was never taught your techniques) and to my big surprise the nasty feeling in the back of my right hand which pulls my index finger upward was gone! So now I practice your lessons. Anyway, I am very happy to have found you on the internet. Thanks very much!
~ Arnoud Reinders
-Arnoud Reinders
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