Speed and Precision Exercises for Classical Guitar
Whether we’re practicing scales, exercises, or a piece of music, it helps to have well-synchronized hands.
When our hands work well together, we can play more beautifully, and create more flowing melodies.
And to develop solid timing between the hands, we can use specialized exercises.
Precision and Speed Exercises for Classical Guitar
We can use “chromatic speed bursts” to build speed and agility.
For this exercise, we begin using four adjacent frets on one string, played with left-hand fingers 1,2,3, and 4.
In the right hand, use quick-prepping with I and M alternation (index and middle fingers alternating back and forth). Quick-prepping combines the playing of one note with the preparation for the next.

Begin with steady, evenly spaced notes, focusing on synchronizing the hands.

Next, alternate between slow steady notes, and bursts of the pattern at double-speed.

When you’re ready, increase the length of the fast bursts.
As you become better at these exercises, you can add to the exercises for more challenge. You can practice moving between strings. You can increase the speed using a metronome. And you can increase the duration of the workout by moving up and down the guitar neck.
Enjoy this simple exercise in your daily practice, or bring it out when needed.
And like any classical guitar practice, these work best when we bring absolute focus and attention to each note. The more precisely and accurately we play each note, the more benefit we’ll notice in our pieces and other technique practice.

Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
I have to say, two practices later [after a video review] with the new position - the difference it's made in my playing is... unbelievable, really. It's like many months of improvement overnight.
Everything is so much more secure, left-hand stretches are easier, I feel like I'm getting way more volume for the same effort, the tone is noticeably better all along the neck, and the list goes on.
Thank you!
~ Alexander Mosolov
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I am a 61 year old physician, reconnecting with the classical guitar after a hiatus of nearly 40 years. After a couple of weeks [in the program], I’m now producing a much clearer, yet somehow more mellow and beautiful sound. It was really good to feel it happening in my hand, and that it felt more comfortable and somehow “right”, compared to the way I had played before (“curved picking”). The fog started to lift and I found that I was remembering more, and it felt great (also a bit of a relief!), giving me confidence to keep going. Thank you for making your course available - your love of music and the guitar shines through the teaching. I am very happy I found and registered with CGS.
~ Brian Davey
-Brian Davey
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