Amelia Earhart on How to Do Anyhing Effectively
Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy!
“The most effective way to do it, is to do it.”Amelia Earhart
Playing guitar, like many things, is a hands-on activity. Especially at first.
Some techniques and movements work better than others. Some are safer on the body and sound better. And we can aspire to these.
But to begin, anything is better than nothing. If we wait until we know all the perfect methods, we’ll likely never start.
Will we make mistakes and have to retrain later? Almost certainly, even in the best circumstances.
But we gain momentum. And momentum and enthusiasm will bring us further faster. (Kevin Kelly once wrote that enthusiasm adds 25 IQ points.)
Before we build momentum we may feel overwhelm and discouragement. And somehow this may be mixed with a dose of cautious optimism. This is natural, and realistic. There’s much to learn.
But as Eleanor Roosevelt said, “What one has to do usually can be done.”
If we jump in and start, taking each step as it comes, we do progress.
In any given day, we face the conflict of “good” and “good enough”. We have ideas of the perfect practice. And if we don’t have time, we may be tempted to skip it altogether.
Instead, we can set a low bar to success. We can deem any practice worthwhile, even if we don’t see any immediate improvement. Just five minutes of chord practice, or three minutes of sight-reading – these pull us forward.
Small practices, snatched between other tasks and obligations compound over time. Before we know it, a year has passed and we’re playing better.
But if we falter in the small moments, we may reason ourselves out of picking up the guitar.
To quote Bruce Lee, “If you spend too much time thinking about a thing, you’ll never get it done.”
Instead, we’ve simply to pick up the instrument and meet a small challenge. Then again.
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
Life is good, still enjoying [The Woodshed Program], the progress is life altering, I love it. The physical challenges of my situation have rained havoc for over half my life. In spite of those little pests this 40$ Yamaha classical who needed a new home and your course has given me the "part the clouds for the sun to shine through" outlook. You see, even when I am unable to play I know she patiently waits for my return as I do. A giant void in my journey was filled with light.
~ Ken Montz
I also want to thank you for including more video lessons on the Bridges Guitar Series. I have learned to play Calatayud's Waltz. The most exciting thing about having done this is that I sight-read the entire piece as I was learning it. Six months ago looking at a sheet of music was like looking at Egyptian hieroglyphics. Learning to read notation is empowering and I appreciate the sensible way you are teaching us to learn to read music.
~ Steve Simpler
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