Anne Lamott on the mental landscape of guitar practice
Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Enjoy!
“My mind is like a bad neighborhood, I try not to go there alone.”
Anne Lamott
To enjoy a fulfilling classical guitar practice, all it takes is to show up regularly and do the work. When we sit down and focus daily, we gain skills and see improvement over time.
That’s really all there is to it. But we can easily psyche ourselves out.
We may start to think, “I should be improving faster…” or, “This piece should be easy – something must be wrong with me”
These thoughts are Trojan horses that soon have us “forgetting” to practice, or getting too busy with other things. Any thought about where we are in relation to some fantasy ideal is trouble.
We all want to be our best selves. We want to experience mastery. We want to actualize what we believe possible for us on guitar.
But the only way to get these is to sit down and practice. A little bit today, a little bit tomorrow, a little bit the next day.
When we miss a few days of practice, it’s tempting to put a story behind it. We create a meaning, such as, “I’m not cut out for this..” or “I’m too busy.” or “The world is conspiring against my learning guitar!”
But that’s all hokey pokey. As the Bard gives us in Hamlet, “There is nothing either good or bad, but thinking makes it so.”
Part of mastering guitar is mastering our minds. The question is, “What am I focusing on right now, at this moment?” In guitar practice, the answer should be something specific pertaining to our music or the act of playing in that moment.
Otherwise, we’re just distracting ourselves from the work that will get us what we want.
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
Hi Allen,
Greetings from the UK. I would like to thank you for providing such an excellent resource. The effort and skill which has gone into creating this program is very evident. I started classical guitar a year or so ago with a teacher but was unable to commit to same time regular slots each week.The Woodshed Program was exactly what I was looking for. I have found the site very intuitive and well structured and have taken your advice and started from the very beginning of the program whilst still practising some of the pieces I was already working on. It is clear that I will benefit greatly from these early technical studies. There were clearly weaknesses and gaps in my knowledge even though I am still at an early stage. Once again many thanks for the program and very best wishes.
~ Rodger Paylor
-Rodger Paylor
Since a year ago with my subscription to CGS it has been for me a pleasurable adventure and a discovery of all the facets of the classical guitar.
Your dedication and enthusiasm, as well as your talent, in the tuition is quite contagious (well, lets hope also for your talent) and has made it fun and useful in my progression. Also the weekly tip that you mail us and the Facebook group is excellent.
~ Michel Donnet
-Michel Donnet
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