china curse guitar practice

Chinese Curse – May You Live in Interesting Times

Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy!

“May you live in interesting times.”

Old Chinese Curse

“Interesting”, in this ironic curse, is a euphemism for “hard” or “challenging”.

And indeed, we usually view difficulty as a curse. We avoid it. We try our best to prevent it.

But it’s often through hardship and trial that we gain the best returns.

Elite performers, in every field, seek out obstacles. They tackle the big problems. They climb the craggiest mountains.

And this is what makes them elite. This is the recipe to rise to such levels. We choose the paths with the greatest potential for growth.

But it’s not the task itself that polishes our abilities and strengthens our core. Instead, it’s who we must be and become to face such adversity.

Head to head with a hurdle, we must manage our thoughts, attention and energy. We must focus. We must try, in full awareness that we may fail. All the while dodging the quicksand of worry, fear and disbelief.

It’s tempting to dismiss superior performance as something other people do. We may not always realize that it’s possible for us, now, sitting in our chairs holding our guitars.

But this is where it happens. At any level, at any age, in any timeframe.

Working on the tricky bits in our pieces, training our hands, forcing recall of new notes. It’s in these moments we improve and progress.

Playing the “finished” piece is fun and rewarding. But even more so when we’ve worked for it. It’s the barriers broken that let us feel the pride of a job well done.

So one of our primary tasks as musicians is to keep practice interesting. To go straight for the edge of comfort. To find that balance of “hard but not too hard”, and stay there.

Allen Mathews

Hi, I’m Allen Mathews. 

I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.

Thanks to you (you are my only teacher) in only a few months I've gone from very basic beginner pieces to having just completed learning Bach's Gavottes 1&2 in good form and execution. As a non-classical electric guitarist who has always used a pick and never his fingers, this has been no small feat!


~ Gregg Olson

-Gregg Olson

For the first time ever, I have achieved great tone on my acoustic guitars. I've been studying fingerstyle guitar and music theory for about one year now. Tonight is the first time, I feel quite satisfied with my ability to produce a nice clear tone when striking the strings with my right hand fingers. By following your training videos in the program, I'm gradually developing my fingerstyle playing ability. KUDOS to you, Allen Mathews.


~ Joaquin Kenyon

-Joaquin Kenyon

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