Mary J. Blige on scary things and keeping going

Mary J. Blige on Scary Things and Keeping Going

Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy!

“Everything is scary if you look at it. So you just got to live it.” 

Mary J. Blige

Watching Youtube, or listening to music, we may hear a piece of music that resonates with us. It creates a spark and inspires us.

And we want to play the music that captivates us. We want to spin the webs that ensnare hearts, as ours has been.

But then, sitting alone with our guitar in a spotlight of reality, we glimpse the distance. We recognize the massive gap between where we are now and where we want to be. And staring into this void, we may face many emotions–overwhelm, hopelessness, regret, tiredness.

When we then consider what to do today, we may begin to doubt whether our modest practice could ever take us there. We question the promise of long-term strategies. We reason that musical hedonism and immediate gratification may be the wiser choice.

Depending on our mood, zooming out too far can be at best unproductive, and at worst crippling.

Why? Because when we’re focused on how far there is to go, we take our eye off of that which has the potential to take us there. And what is that? The current moment, with our full attention and focus.

Practice is most rewarding and productive when we bring our full selves to it. -When we set challenging obstacles and overcome them. -When we ride the razor’s edge of “hard but not too hard”.

Wonderful things happen when we opt for quality and full attention in our practice. The practice becomes an end unto it itself. It doesn’t make it easy, but it feels good to do the hard work.

The “doing it” is the reward. Even if we depart this earth tomorrow, we can smile knowing that we’ve lived well for this practice.

Like George Gershwin sang, “For suddenly, I saw you there And through foggy London town The sun was shining everywhere…”

Allen Mathews

Hi, I’m Allen Mathews. 

I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.

I have to say, two practices later [after a video review] with the new position - the difference it's made in my playing is... unbelievable, really. It's like many months of improvement overnight.

Everything is so much more secure, left-hand stretches are easier, I feel like I'm getting way more volume for the same effort, the tone is noticeably better all along the neck, and the list goes on.

Thank you!

~ Alexander Mosolov


Allen, your website and teaching methods are excellent. You have an easy going yet encouraging way of inspiring people to learn and practice their art. And you are always accessible to your students to personally answer questions. I appreciate ... that personal touch. The course on reading rhythm and playing higher up the neck I found particularly helpful. God bless you and many thanks.

~ Joe Bazan

-Joe Bazan

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