
Michelangelo on Nit-Picking Guitar Practice
Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy!
“Trifles make perfection, and perfection is no trifle”.
Michelangelo
As we study guitar (classical guitar especially), we manage many different areas. Technique, pieces, practice methods, personal discipline, time management, and on and on.
When the list feels long, it’s easy to gloss over the fine details. Before we know it, we can fall into the trap of “ticking the boxes”, instead of savoring each item.
Beautiful music is made of tiny details: The connection of one note to another. Thoughtful decisions about volume dynamics or a right-hand fingering. Every little movement. A seemingly obsessive preoccupation with trifles.
In our practice, we can give ourselves permission to nit-pick the trifles. It’s okay. Good even. It’s these little explorations that make the music so much more meaningful. And it’s these moments of curiosity and experimentation that make daily practice such a joy.
Tip: If you like, next time you’re about to jump to the next thing in your practice, pause and consider whether you could go a little deeper before moving on. Could you focus more deeply on some small trifle? How close in can you zoom?

Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
I am a 61 year old physician, reconnecting with the classical guitar after a hiatus of nearly 40 years. After a couple of weeks [in the program], I’m now producing a much clearer, yet somehow more mellow and beautiful sound. It was really good to feel it happening in my hand, and that it felt more comfortable and somehow “right”, compared to the way I had played before (“curved picking”). The fog started to lift and I found that I was remembering more, and it felt great (also a bit of a relief!), giving me confidence to keep going. Thank you for making your course available - your love of music and the guitar shines through the teaching. I am very happy I found and registered with CGS.
~ Brian Davey
-Brian Davey
I just started level 1C...I was able to look at a Carulli piece, albeit a simple one, and understand it. And that understanding allowed me to play it much more easily on the first run through, and I expect it will allow me to make it fully musical at tempo quite soon. That's a huge personal victory for me. Until very recently my mindset was: "Notes on a page. Jimi didn't need them and I don't either." But I ain't Jimi, and now I want those notes on a page.My work in CGS, even at these early levels, got me to that personal breakthrough. And that's given me more confidence that continued work will get me to greater places in due time. So to answer your question: yes, I absolutely feel like I'm making headway and moving forward in my playing. Thank you for that.~ Matthew Ecker
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