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Napoleon Hill and the Blueprint of Musical Achievement


Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Enjoy!


Cherish your visions and your dreams as they are the children of your soul, the blueprints of your ultimate achievements.”

Napoleon Hill

When we hear a tune, and want to play it, there’s a sort of magic at work. When we envision making beautiful music for loved ones, we open a window into a potential future.

Everything that has ever been created started as a thought – an idea. And most everything, at this stage, could be called ridiculous, unlikely, or impossible.

Often, for those of us drawn to music, we can’t say exactly what we’re drawn to. There’s a pull, and we feel it. But what exactly is pulling, we may not be able to say. Or not entirely.

And here is where the reasoning mind can become our most dangerous adversary. We can quickly reason away our pull to music. We can run logical analyses and do cost/benefit comparisons. We can argue and prioritize the pragmatic: time, age, talent, money.

But as Einstein said, “Not everything that counts can be counted, and not everything that can be counted counts.

We, as intelligent, thinking people, can and must hold the paradox. We can remain grounded in reality and logic. And at the same time, we can honor and cherish our lofty and “illogical” aspirations.

To sit down each day and practice our music – this takes nothing short of faith. Progress is usually slow. The mental and physical challenges are many. And we must traverse an expanse of questionable results before we make the sounds we want to hear.

If we only rely on logic, we’ll never make it across that chasm. It’s our dreams that help us through the hard times. Our long-term vision provides the justification we sometimes need to keep going.

So, when we finally buy into this pursuit, and decide to abandon the argument? This is when we can bring our attention to the moment at hand. We can fully invest ourselves in the what and how of each note.

And this one-pointed attention becomes a reward in itself. In these moments of pure attention, we feel much of what pulled us to begin with. Here, the micro mirrors (and creates) the macro.








Allen Mathews

Hi, I’m Allen Mathews. 


I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.




Hi, Allen! I am so excited to have gotten started on your program! I just upgraded to a yearly membership. Thank you very much! You do such great work!

 

~ Linda Hansen


-Linda Hansen

Hello Allen,
I feel my guitar proficiency is improving considerably. Every day I’m exceedingly comfortable with my right hand technique and overall fluency. And my sight-reading has improved as well. Thank you for creating the Woodshed. It’s thoughtful construction and scope and sequence of knowledge and skills has advanced my guitar skills significantly. I can’t wait to see what the future holds.

 

~ Michael Immel


-Michael Immel



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