
Oliver Sacks on the notes behind the notes
Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy!
“Every act of perception, is to some degree an act of creation, and every act of memory is to some degree an act of imagination.”
Oliver Sacks
In the black and white world of notes on a page, it’s easy to think our music as separate from ourselves. It seems like music doesn’t come from us, but is something our fingers do.
And indeed, it does start out that way.
In a similar fashion, a new vocabulary word is at first foreign and hazy. Then in time it clears, and eventually emerges effortlessly from our mouths as part of a new thought. It gains meaning and relevance. It joins all our other words, cross-pollinates, and becomes a tool of creation in our tapestry of language.
Notes on the page, like vocabulary words, are only the beginning. They are a tool, a set of ingredients, a script.
To make music, we must certainly master the notes. But if we stop there, we miss out on the best parts.
When we read a good story, we don’t see words on a page – we see worlds inside our heads. We feel emotions. We live other lives. We become other people in other times. Reading is an act of imagination, using the words on the page as a catalyst.
Our music can be the same way. With practice and curiosity, the notes disappear and playing guitar becomes an act of creation.
Actors and orators hone their story-telling skills and diction. As musicians we hone our technique and phrasing. We work on the surface in service to the depths below.

Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
Hi Allen,
Greetings from the UK. I would like to thank you for providing such an excellent resource. The effort and skill which has gone into creating this program is very evident. I started classical guitar a year or so ago with a teacher but was unable to commit to same time regular slots each week.The Woodshed Program was exactly what I was looking for. I have found the site very intuitive and well structured and have taken your advice and started from the very beginning of the program whilst still practising some of the pieces I was already working on. It is clear that I will benefit greatly from these early technical studies. There were clearly weaknesses and gaps in my knowledge even though I am still at an early stage. Once again many thanks for the program and very best wishes.
~ Rodger Paylor
-Rodger Paylor
Since a year ago with my subscription to CGS it has been for me a pleasurable adventure and a discovery of all the facets of the classical guitar.
Your dedication and enthusiasm, as well as your talent, in the tuition is quite contagious (well, lets hope also for your talent) and has made it fun and useful in my progression. Also the weekly tip that you mail us and the Facebook group is excellent.
~ Michel Donnet
-Michel Donnet
“Success lies in relentless execution of the basics.”
Join the program that takes you from the beginning fundamentals to advanced mastery, so you…
Click the button to take a step towards an
organized, effective guitar practice. >>>









