Pablo Casals on the Perfect Musical Technique
Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy!
“The most perfect technique is that which is not noticed at all.”Pablo Casals
Writer Alan Watts once spoke of the perfect pair of shoes. These shoes, he suggested, would disappear. You wouldn’t even know you were wearing them. You wouldn’t think of your feet at all, but instead just live your day.
Like shoes, our technique is a tool with which we do something. More than that, in music technique is a tool with which we do everything.
“Technique” is the sum total of our ability to move and our understanding of the needs of the music.
An actor is more than his voice. An actor communicates through movement, created by muscles. An actor brings psychological insight and understanding of human nature. All these together make us forget the medium (play, movie, etc.) and immerse into the story. The technique becomes invisible and we witness the art it creates.
In our guitar practice, we discover the vocabulary of technique. Then we work to become fluent in the language. We strive to ingrain the movements such that they become gestures. We study how music breathes and flows forward.
On an instrument as complex and difficult as guitar, few people completely master technique. Some become very good at playing the correct notes in the correct rhythm. But this, like an actor’s script, is only part of the job.
Luckily, the journey is more reward than any destination. So we can relish the study. We can embrace the pursuit of technique and mastery. We can break through barriers and rise above plateaus. We can bring new meaning and purpose to our scales and exercises.
And as we reach higher rungs of the spiral, we can both marvel at the new and feel at home in the ever-present fundamentals.
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
Hi Allen, I am thoroughly enjoying your website and I find it is just what I need in my renewed passion for classical guitar. I have rediscovered a great love for this instrument and the music I can learn and play and it has changed my life for the better dramatically! Thank you for facilitating this process.~
~ George Rogers
Greetings from the UK. I would like to thank you for providing such an excellent resource. The effort and skill which has gone into creating this program is very evident. I started classical guitar a year or so ago with a teacher but was unable to commit to same time regular slots each week.
The Woodshed Program was exactly what I was looking for. I have found the site very intuitive and well structured and have taken your advice and started from the very beginning of the program whilst still practising some of the pieces I was already working on. It is clear that I will benefit greatly from these early technical studies. There were clearly weaknesses and gaps in my knowledge even though I am still at an early stage. Once again many thanks for the program and very best wishes.
~ Rodger Paylor
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