Yo-Yo Ma on How to Approach Practice and Performance
Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy!
“When people ask me how they should approach performance, I always tell them the professional musician should aspire to the state of the beginner.”Yo-Yo Ma
As we progress on guitar, we seek greater and greater challenges. We tackle bigger and more complex pieces of music. We push the limits of our speed and control.
And as we work this way, we tend to look ahead. We drive forward. We see the next prize and lean for it.
As we reach higher levels of ability, we feel good about all the work we’ve done. We rank ourselves above others. And this becomes part of our identity. We’re proud.
But there’s a catch.
As workflow wizard Kourosh Dini has written, “Most of mastery is a mastery of the basics.”
This means that to move forward, we must embrace the work shared by beginners. And not just the work, but the mindset – curiosity, openness, humility.
In short, we must release the idea that we already know it all. And by opening to all possibilities, we expand our understanding and use of the basics.
What are the basics? Form, positioning, movement. Process, attention, acceptance of reality in the moment.
To reach the state of the beginner that cello icon Yo-Yo Ma refers to in the quote above, we must look on our work with fresh eyes.
We have to acknowledge we are as yet incomplete. We have to ask the silly questions and be willing to stub our toes in new experiments.
So how do we do this? What do we actually do in our daily guitar practice to enter this state?
We slow down. We listen. We look for holes in our sound and thinking. We explore like children. We poke and prod. We play.
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
I appreciate the organized, well thought out progression of each level, as well as a measurable means to determine when to proceed to the next level. I had burned myself out by pushing too hard and playing beyond where I was comfortable. This course is just what I needed, and I am happy to be back on the road to playing again.
~ Susan Kidney
I have lost my entire metallic sound while I am playing now. Even my single note practice sounds more melodious, less tinny. [The Woodshed technique practice] has made a major difference in my tone. Thank you.
~ Harlan Friedman
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